Sequel to the successful sci-fi-cop, comedy-drama. Some four years after the Men in Black averted a major intergalactic disaster, K (Tommy Lee Jones) has returned to a civilian life, working as a postman and quite unaware of his former heroics alongside Agent J (Will Smith). But when J uncovers a secret alien plot organised by the seemingly seductive Serleena (Lara Flynn Boyle) he has to call on K again. Unfortunately K has no memory of his former role as 'Saver-of-the-World', but somewhere in his head is the expertise that can save the Earth, if only J can get him onside in time.

The only book Michael Jackson ever wrote about his life It chronicles his humble beginnings in the Midwest, his early days with the Jackson 5, and his unprecedented solo success. Giving unrivalled insight into the King of Pop's life, it details his songwriting process for hits like Beat It, Rock With You, Billie Jean, and We Are the World; describes how he developed his signature dance style, including the Moon Walk; and opens the door to his very private personal relationships with his family, including sister Janet, and stars like Diana Ross, Berry Gordy, Marlon Brando, Quincy Jones, Paul McCartney, and Brooke Shields. At the time of its original publication in 1988, MOONWALK broke the fiercely guarded barrier of silence that surrounded Michael Jackson. Candidly and courageously, Jackson talks openly about his wholly exceptional career and the crushing isolation of his fame, as well as the unfair rumours that have surrounded it. MOONWALK is illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for the book. It reveals and celebrates, as no other book can, the life of this exceptional and beloved musician.

'An important and contentious book... It could stimulate a cult!' - Anthony Cohen, Principal of Queen Margaret University College, Edinburgh

Next Generation Biomonitoring: Part Two, Volume 59, the latest release in the Advances in Ecological Research series, is the second part of a thematic on ecological biomonitoring. It includes specific chapters that cover aquatic volatile metabolomics using trace gases to examine ecological processes, next generation approaches to rapid monitoring Bio-aerosol and the link between human health and environmental microbiology, NGB in Canadian wetlands, CELLDEX/global monitoring of functional responses, Citizen Science and Biomonitoring, and more.

In this book, renowned anthropologist Michael Jackson draws on philosophy, biography, ethnography, and literature to explore the meanings and affordances of friendship-a relationship just as significant as, yet somehow different from, kinship and love. Beginning with Aristotle's accounts of friendship as a political virtue and Montaigne's famous essay on friendship as a form of love, Jackson examines the tension between the political and personal resonances of friendship in the philosophy of Hannah Arendt, the biography of the Indian historian Brijen Gupta, and the oral narratives of a Kuranko storyteller, Keti Ferenke Koroma. He offers reflections on childhood friends, imaginary friends, lifelong friendships, and friendships with animals. He ruminates particularly on the complications of friendship in the context of anthropological fieldwork, exploring the contradiction between the egalitarian spirit of friendship on the one hand and, on the other, the power imbalance between ethnographers and their interlocutors. Through these stories, Jackson explores the unpredictable interplay of mutability and mutuality in intimate human relationships, and the critical importance of choice in forming friendship-what it means to be loyal to friends through good times and bad, and even in the face of danger. Through a blend of memoir, theory, ethnography, and fiction, Jackson shows us how the elective affinities of friendship transcend culture, gender, and age, and offer us perennial means of taking stock of our lives and getting a measure of our own self-worth.

Many of us feel a pressing desire to be different—to be other than who we are. Self-conscious, we anxiously perceive our shortcomings or insufficiencies, wondering why we are how we are and whether we might be different. Often, we wish to alter ourselves, to change our relationships, and to transform the person we are in those relationships. Not only a philosophical question about how other people change, self-alteration is also a practical care—can I change, and how? Self-Alteration: How People Change Themselves across Cultures explores and analyzes these apparently universal hopes and their related existential dilemmas. The essays here come at the subject of the self and its becoming through case studies of modes of transformation of the self. They do this with social processes and projects that reveal how the self acquires a non-trivial new meaning in and through its very process of alteration. By focusing on ways we are allowed to change ourselves, including through religious and spiritual traditions and innovations, embodied participation in therapeutic programs like psychoanalysis and gendered care services, and political activism or relationships with animals, the authors in this volume create a model for cross-cultural or global analysis of social-self change that leads to fresh ways of addressing the 'self' itself. 

In this book, renowned anthropologist Michael Jackson draws on philosophy, biography, ethnography, and literature to explore the meanings and affordances of friendship-a relationship just as significant as, yet somehow different from, kinship and love. Beginning with Aristotle's accounts of friendship as a political virtue and Montaigne's famous essay on friendship as a form of love, Jackson examines the tension between the political and personal resonances of friendship in the philosophy of Hannah Arendt, the biography of the Indian historian Brijen Gupta, and the oral narratives of a Kuranko storyteller, Keti Ferenke Koroma. He offers reflections on childhood friends, imaginary friends, lifelong friendships, and friendships with animals. He ruminates particularly on the complications of friendship in the context of anthropological fieldwork, exploring the contradiction between the egalitarian spirit of friendship on the one hand and, on the other, the power imbalance between ethnographers and their interlocutors. Through these stories, Jackson explores the unpredictable interplay of mutability and mutuality in intimate human relationships, and the critical importance of choice in forming friendship-what it means to be loyal to friends through good times and bad, and even in the face of danger. Through a blend of memoir, theory, ethnography, and fiction, Jackson shows us how the elective affinities of friendship transcend culture, gender, and age, and offer us perennial means of taking stock of our lives and getting a measure of our own self-worth.

This book contains edited and revised papers from a conference on "Science and Technology for Managing Plant Genetic Diversity in the 21st Century" held in Malaysia in June 2000, organized by the International Plant Genetic Resources Institute (IPGRI). It includes keynote papers and some 40 additional ones, covering 10 themes. The major scientific challenges to developing a global vision for the next century are identified and key research objectives are also discussed.

Anthropologist Michael Jackson predicates his intellectual autobiography, Worlds Within and Worlds Without, on the view that works and lives are intimately entangled. Through a skillful interweaving of personal and ethnographic descriptions, he focuses on the imaginative and practical ways human beings negotiate the space between worlds they call their own and worlds they regard as lying beyond their immediate purview. Whether the worlds that elude our empirical grasp are identified with divinities or the dead, ether or earth, history or myth, the Internet, or the nation state, we experience them ambivalently, as potential sources of wellbeing and as possible threats to our very existence. Closing ourselves off from the world is not an option, for our humanity depends on the ties that bind us to significant others, and others to us. As Jackson shows, the relationship between the familiar and the foreign is not only an existential issue that all human beings address in one way or another. It is a methodological issue for anthropologists concerned with the complementarity of individual and collective perspectivesethnos and anthropos, the intrapsychic and the intersubjective.

In The Genealogical Imagination Michael Jackson juxtaposes ethnographic and imaginative writing to explore intergenerational trauma and temporality. Drawing on over fifty years of fieldwork, Jackson recounts the 150-year history of a Sierra Leone family through its periods of prosperity and powerlessness, war and peace, jihad and migration. Jackson also offers a fictionalized narrative loosely based on his family history and fieldwork in northeastern Australia that traces how the trauma of wartime in one generation can reverberate into the next. In both stories Jackson reflects on different modes of being-in-time, demonstrating how genealogical time flows in stops and starts—linear at times, discontinuous at others—as current generations reckon with their relationships to their ancestors. Genealogy, Jackson demonstrates, becomes a powerful model for understanding our experience of being-in-the-world, as nobody can escape kinship and the pull of the past. Unconventional and evocative, The Genealogical Imagination offers a nuanced account of how lives are lived, while it pushes the bounds of the forms that scholarship can take.

In The Genealogical Imagination Michael Jackson juxtaposes ethnographic and imaginative writing to explore intergenerational trauma and temporality. Drawing on over fifty years of fieldwork, Jackson recounts the 150-year history of a Sierra Leone family through its periods of prosperity and powerlessness, war and peace, jihad and migration. Jackson also offers a fictionalized narrative loosely based on his family history and fieldwork in northeastern Australia that traces how the trauma of wartime in one generation can reverberate into the next. In both stories Jackson reflects on different modes of being-in-time, demonstrating how genealogical time flows in stops and starts—linear at times, discontinuous at others—as current generations reckon with their relationships to their ancestors. Genealogy, Jackson demonstrates, becomes a powerful model for understanding our experience of being-in-the-world, as nobody can escape kinship and the pull of the past. Unconventional and evocative, The Genealogical Imagination offers a nuanced account of how lives are lived, while it pushes the bounds of the forms that scholarship can take.

A searing critique of our contemporary policy agenda, and a call to implement radical change. Although it is well known that the United States has an inequality problem, the social science community has failed to mobilize in response. Social scientists have instead adopted a strikingly insipid approach to policy reform, an ostensibly science-based approach that offers incremental, narrow-gauge, and evidence-informed "interventions." This approach assumes that the best that we can do is to contain the problem. It is largely taken for granted that we will never solve it. In Manifesto for a Dream, Michelle Jackson asserts that we will never make strides toward equality if we do not start to think radically. It is the structure of social institutions that generates and maintains social inequality, and it is only by attacking that structure that progress can be made. Jackson makes a scientific case for large-scale institutional reform, drawing on examples from other countries to demonstrate that reforms that have been unthinkable in the United States are considered to be quite unproblematic in other contexts. She persuasively argues that an emboldened social science has an obligation to develop and test the radical policies that would be necessary for equality to be assured for all.

This book was originally published in paperback in 1991, during a time of growing global concern over the loss of gene resources in crop plants. The future was seen as being dependent on their immediate conservation and effective use by plant breeders. The text is aimed at providing a comprehensive introduction to the form and availability of crop diversity, as well as how this diversity may be gathered, conserved and ultimately combined with new cultivars. Techniques are defined within the fields of data management, tissue culture and genetic engineering, and the overall concept of plant genetic resources is discussed within a political context. A comprehensive bibliography is included.

This volume explores what phenomenology adds to the enterprise of anthropology, drawing on and contributing to a burgeoning field of social science research inspired by the phenomenological tradition in philosophy. Essays by leading scholars ground their discussions of theory and method in richly detailed ethnographic case studies. The contributors broaden the application of phenomenology in anthropology beyond the areas in which it has been most influential—studies of sensory perception, emotion, bodiliness, and intersubjectivity—into new areas of inquiry such as martial arts, sports, dance, music, and political discourse.

In many countries, concern about socio-economic inequalities in educational attainment has focused on inequalities in test scores and grades. The presumption has been that the best way to reduce inequalities in educational outcomes is to reduce inequalities in performance. But is this presumption correct?
"Determined to Succeed?" is the first book to offer a comprehensive cross-national examination of the roles of performance and choice in generating inequalities in educational attainment. It combines in-depth studies by country specialists with chapters discussing more general empirical, methodological, and theoretical aspects of educational inequality. The aim is to investigate to what extent inequalities in educational attainment can be attributed to differences in academic performance between socio-economic groups, and to what extent they can be attributed to differences in the choices made by students from these groups. The contributors focus predominantly on inequalities related to parental class and parental education.

A searing critique of our contemporary policy agenda, and a call to implement radical change. Although it is well known that the United States has an inequality problem, the social science community has failed to mobilize in response. Social scientists have instead adopted a strikingly insipid approach to policy reform, an ostensibly science-based approach that offers incremental, narrow-gauge, and evidence-informed "interventions." This approach assumes that the best that we can do is to contain the problem. It is largely taken for granted that we will never solve it. In Manifesto for a Dream, Michelle Jackson asserts that we will never make strides toward equality if we do not start to think radically. It is the structure of social institutions that generates and maintains social inequality, and it is only by attacking that structure that progress can be made. Jackson makes a scientific case for large-scale institutional reform, drawing on examples from other countries to demonstrate that reforms that have been unthinkable in the United States are considered to be quite unproblematic in other contexts. She persuasively argues that an emboldened social science has an obligation to develop and test the radical policies that would be necessary for equality to be assured for all.

Most people have a story to tell about a remarkable coincidence that in some instances changed the course of their lives. These uncanny occurrences have been variously interpreted as evidence of divine influence, fate, or the collective unconscious. Less common are explanations that explore the social situations and personal preoccupations of the individuals who place the most weight on coincidences. Drawing on a variety of coincidence stories, renowned anthropologist Michael Jackson builds a case for seeing them as allegories of separation and loss-revealing the hope of repairing sundered lives, reconnecting estranged friends, reuniting distant kin, closing the gap between people and their gods, and achieving a sense of emotional and social connectedness with others in a fragmented world.

While the Three Stooges were the longest-active and most productive comedy team in Hollywood, their artistic height coincided with the years Curly was with them, from 1932 to 1946. To their fans, Curly stands out as the zaniest of the three. Famous for his high-pitched voice, his “n’yuk-n’yuk-n’yuk� and “why, soitenly,� and his astonishing athleticism, Curly was a true natural, an untrained actor with a knack for improvisation. Yet for decades, little was known about his personal life.             Then, in 1985, Joan Howard Maurer, Curly’s niece, published this definitive biography.             When she first set out to write the book, there was almost no biographical information available about Curly. So she spoke at length to his relatives, friends, and colleagues. She amassed a wealth of Curly memorabilia, a mixture of written material and rare photographs of Curly’s family, films, and personal life. In Curly: An Illustrated Biography of the Superstooge, she put it all together to come up with the first and only in-depth look at this crazy comedic genius. She included plenty of intimate details about his astonishing relationship with his mother, his marriages, and his interactions with his daughters and friends.             Despite its excellence as a well-rounded portrait of the most unpredictable—and most popular—Stooge, Curly has long been out of print. This new edition of a timeless classic, now updated with previously unpublished facts, is sure to be appreciated by Three Stooges fans new and old.

NEXT GENERATION BIOMONITORING: Part 1, Volume 58, the latest release in the Advances in Ecological Research series, is the firstpart of a thematic on ecological biomonitoring, including specific chapters that cover Aquatic volatile metabolomics - using trace gases to examine ecological processes, Next generation approaches to rapid monitoring Bio-aerosol and the link between human health and environmental microbiology, NGB in Canadian wetlands, Monitoring the biodiversity and functioning of terrestrial systems via high resolution trace gas fluxes, and Computational approaches to gathering biomonitoring data from social media platforms: a superior solution to next generation biomonitoring challenges.

A new and updated edition of the classic, definitive guide to malt whiskies, originally written by the late Michael Jackson and fully updated by whisky experts Dominic Roskrow and Gavin D. Smith. The fully revised 8th edition of the Malt Whisky Companion will teach you everything you want to know about your favourite tipple. How should you taste a single malt scotch whisky? Which whiskies are light and flowery, or rich and treacly? How different is a single malt scotch from a distillery in the Highlands to one from the islands? If you find yourself asking these questions, then this may be the book for you! Did you know that this best-selling book on malt whisky was originally authored in 1989 by Michael Jackson, who was regarded as the world's foremost authority on whisky until his death in 2007. His legacy lives on in his books, which have been approved by his estate. This brilliant book about whiskey has been fully updated by world-leading whisky consultants Dominic Roskrow, author of 12 books about whiskey, and Gavin D. Smith - a professional writer with over 20 years experience, to include all the latest significant bottlings since the 7th edition in 2015. A new introduction section includes hot news on all the current whisky questions being asked. Discover the wonderful world of whisky as you explore: - Fully updated and modernised edition of the world's best-selling book on malt whisky - Includes whisky tasting notes on over 1,000 malts arranged from A-Z - Includes vintage whiskies from 1926 onwards - Approximately 70% of the text is updated to include all the latest significant bottlings - Updated by whisky experts Dominic Roskcow and Gavin D. Smith Find whisky tasting notes on over 1,000 malts arranged from A-Z, including vintages from 1926 onwards and the very latest releases. For distilleries in the New World Whisky section there are brand-new whisky tasting notes. This comprehensive whisky guide defines the characteristics of each whisky, gives it an overall score, making it the perfect companion for keen whisky drinkers and new converts to the wonderful world of the single malt. From the origins of malt whiskey to the language of the label, this book's tasting notes for more than 1,000 bottlings, practical advice on buying and collecting malts, and hundreds of colour images make it the perfect gift for any whisky lover. No other book contains as much detail on all aspects of whisky, making it a must-have volume for a new generation of whisky drinkers, or people who want to try different whiskies but don't know where to start.

Modern update of 'The Wizard of Oz' with Diana Ross as Dorothy leading her gang of no-gooders to the disco chic city of New York. Plenty of Motown music and dance routines are provided by an all black cast.

The #1 "New York Times" bestseller! Michael Jackson's one and only autobiography - "his "life, in "his "words.
With original Foreword by Jacqueline Kennedy Onassis, a new Introduction by Motown founder Berry Gordy, and an Afterword by Michael Jackson's editor and publisher, Shaye Areheart.
"I've always wanted to be able to tell stories, you know, stories that came from my soul. I'd like to sit by a fire and tell people stories - make them see pictures, make them cry and laugh, take them "anywhere" emotionally with something as deceptively simple as words. I'd like to tell tales to move their souls and transform them. I've always wanted to be able to do that. Imagine how the great writers must feel, knowing they have that power. I sometimes feel I "could "do it. It's something I'd like to develop. In a way, songwriting uses the same skills, creates the emotional highs and lows, but the story is a sketch. It's quicksilver. There are very few books written on the art of storytelling, how to grip listeners, how to get a group of people together and amuse them. No costumes, no makeup, no nothing, just you and your voice, and your powerful ability to take them anywhere, to transform their lives, if only for minutes." -Michael Jackson, in "Moonwalk
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From the 1988 edition:
Megastar Michael Jackson's singularly brilliant career and intensely private lifestyle have become a magnificent obsession for millions of rock fans and celebrity watchers throughout the world. His double-platinum singles rocket to the top of the music charts with a velocity equaled only by the inevitable accompaniment of wild rumors about his eccentric personal life. Now for the first time, Michael Jackson breaks the fiercely guarded barrier of silence that has surrounded him in a remarkably candid and courageous book -- "Moonwalk."
In this intimate and often moving personal account of Michael Jackson's public and private life, he recalls a childhood that was both harsh and joyful but always formidable. Michael and his brothers played amateur music shows and seamy Chicago strip joints until Motown's corporate image makers turned the Jackson 5 into worldwide superstars. Michael Jackson and the Jackson 5 have combined sales of over 200 million albums. He talks about the happy prankster days of his youth, traveling with his brothers, and of his sometimes difficult relationships with his family over the years. He speaks candidly about the inspiration behind his music, his mesmerizing dance moves, and the compulsive drive to create that has made him one of the biggest stars in the music business and a legend in his own time. "The Guinness Book of World Records" lists "Thriller" as the biggest-selling-album of all time.
In "Moonwalk," Michael Jackson shares his personal feelings about some of his most public friends...friends like Diana Ross, Berry Gordy, Quincy Jones, Paul McCartney, Fred Astaire, Marlon Brando, and Katharine Hepburn. He talks openly about the crushing isolation of his fame, of his first love, of his plastic surgery, and of his wholly exceptional career and the often bizarre and unfair rumors that have surrounded it.
Illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for this book, "Moonwalk" is a memorable journey to the very heart and soul of a modern musical genius.